She's also written an article about the show at the Kirkland Arts Center curated by Tracey Fugami, "Wired Forest." The show is up until November 15.
Read both articles in the Seattle P.I.
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In an article for the Seattle P. I., Regina Hackett says, "Although realists toil in studios around the world, most seem to
operate on a dare-to-be-dull imperative. Their skills hobble them, as
they value their ability to illustrate a scene more than their ability
to think through and deliver on the complexity of that scene's visual
meanings. Art has always been about thinking, and empty-headed
portraits of people, places and things rarely cut it in the past and
don't cut it now.
Two of Seattle's most important realists find different paths to
making old-style depictions new: Norman Lundin at Francine Seders and
Rachel Maxi at Baas Gallery." Pictured is Threesome at Six by Rachel Maxi of the Baas Gallery.
The show at Baas runs until October 28, and the show at Francine Seders runs until November 12.
Sue Peters, writing in the Seattle Weekly, says, "It May be a surprise to learn that Seattle Art Museum
has plans to include Native American art in its sculpture park project.
Or it once did. A SAM press release from September 2004 states: 'In
addition, the Northwest's Native American communities are working with
SAM to determine exciting collaborative art projects for the future at
the Olympic Sculpture Park.'
Sounds promising. In
fact, the idea makes perfect sense in a region rich with Native
American art and culture, in a city named after Chief Seattle. The park
site itselflong before the Denny Regradewas inhabited by the Duwamish
people, who camped in the area every fall and used vast nets to capture
migrating ducks." Read the entire article on the Seattle Weekly web site.
Pictured at the right is Marvin Oliver's Spirit of Youth, from his website,
"The Ron Ho jewelry retrospective at the Bellevue Arts Museum is
another good example of the reopened museum's new vision. It honors a
nationally known local artist with a superlatively designed survey of
40 years of work and accompanies it with a full-color scholarly
catalogue. Bellevue is going after and achieving top-museum status in
its chosen field, the world of fine crafts and design" relates Matthew Kangas in a review for the Seattle Times. "Dim Sum at the On-On Tea Room: The Jewelry of Ron Ho," is on view until February 18. Photo credit Rod Slemmons.